#Maya hawke little women professional#
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Heidi Thomas, who wrote the three-hour adaptation of Louisa May Alcott’s novel and also created the popular PBS series “Call the Midwife,” was struck by Hawke’s sincerity. I just let out the things that sometimes I even hold in as a person.” I hope I get to transform in the future, but in this part, I did not have to transform. I am all these things that are attributed to her character are just things that felt very real for me, and so it wasn’t hard to just be her.

Hawke connected to Jo on a profound level. I love this book, and I love that character, and it felt like to say no to it would break my heart.” “I was living at home mostly, and I was itching to find myself and to start experimenting and being in the world. The offer coincided with “a really intense desire for independence,” she recalls.

#Maya hawke little women professional#

(The school does not allow students to miss class for professional opportunities.) Never what she calls a “super-institutional gal,” Hawke chose the latter. Hawke enrolled in the drama program at Juilliard, but when the “Little Women” offer came along, she had to choose between school and work. But, she says: “Eventually I realized that there was only so much that I could put in the way of my happiness, and acting made me happier than anything else.” In school, Hawke was always drawn to drama, playing the Artful Dodger in “Oliver Twist” and Olivia in “Twelfth Night.” For a time, she resisted pursuing the craft seriously because she was so aware of the job’s downsides.

(Hawke, who is dyslexic, explains that she writes on her left hand in order to tell one side from the other.) She looks, if not exactly like a farmer, then a normal, slightly artsy teenager, an impression heightened by the words “STAY GOLD” scrawled in pink ink on the knuckles of her left hand. Although she’s chosen a chichi hotel for the interview - the kind of place where paparazzi linger outside the lobby waiting to snap photos of sashaying celebrities - she’s dressed in leggings, sneakers and a jokey black T-shirt with the slogan “got qi?” - a play on the “got milk?” campaign. But remember to give back and remember to stay in tune with the fact that you didn’t go into it to get your picture taken.”Īnd, so far at least, she seems to have little interest in the glamorous trappings of the business. You can take the gifts that it can bring, like reservations at restaurants. “And if you let them convince you that that’s your reason, it will become your reason, and you will lose track of yourself. “Sometimes the world will tell you that you do what you do for a different reason than your reason,” she says. I don’t have any.’ You have no idea what people would say.”Īs a result of her upbringing, Hawke has an unusually clear-eyed understanding of the pitfalls of fame, like “too much self-googling” or the way the perks of celebrity can get in the way of being an artist. I didn’t.’ Or, like, “I saw your mom’s boobs,’ and you’re, like, ‘Whoa. “ Like the first time you go to school and someone’s, like, ‘I saw your mommy on television,” and you’re, like, “Weird. “I began to understand later - how privileged I was and also how vulnerable, so it was a journey,” she adds. Raised in New York by her famous parents, who divorced in 2005, Hawke grew up dimly aware that her family was different - “we got to just go into places and cut lines,” she recalls - but didn’t necessarily know why. She speaks not just with her hands but with her entire upper body, clutching at her heart or closing her eyes when saying something especially meaningful. In addition to acting, she writes, performs music, and hopes to direct one day. Although she looks and sounds strikingly like her mother, with the same wide-set eyes and throaty voice, Hawke seems to share her father’s restless artistic temperament and verbose earnestness.